Kundan Choker Set – Earrings & Maang Tikka

Most kundan sets stick to one colour story and let the gold and clear stones do the talking. This one takes a different approach — five separate colours running through the beadwork and stone centres, all held together by the same square kundan framing repeated across every piece. It's a busier design than a typical bridal set, and it's built to be exactly that.

The Design, Looked at Closely

Start with the necklace's base, because it's doing more work than a simple choker strand usually does. Rather than a single row of pearls, it's built from several fine strands running side by side, giving the choker a proper width and structure before you even get to the front panel. On either side, that pearl base transitions into a run of oval beads in deep maroon and hot pink, arranged close together in vertical clusters — a burst of saturated colour that sits between the quiet pearl strands and the more elaborate kundan work waiting at the centre.

The front of the necklace is where the whole design comes together. Five square kundan-framed panels sit side by side, each one bordered in mirror-cut kundan stones set in a clean gold grid, and each with its own coloured centre stone — the sequence moves through peach, deep maroon, and green tones rather than repeating a single colour across all five panels. That variation matters. If every panel carried the same centre stone, the front of the necklace would read as one repeated motif; instead, each square feels like its own small piece, and together the five of them form a connected but visually varied row across the collarbone.

Underneath that row of squares, the necklace doesn't stop cleanly — it drops into a dense, multicoloured bead fringe. Small teardrop beads in red, green, blue, yellow, and pink hang together in loose clusters below each kundan panel, mixed in with strands of tiny pearls, so the bottom edge of the necklace has real movement and colour variation rather than tapering off in one uniform tone. That fringe is really the signature of the whole set — it's what pulls the piece away from a standard bridal white-and-gold look and gives it a festive, multicoloured character instead.

The maang tikka mirrors that same square kundan panel, worn at a smaller scale on its own at the parting. A single square kundan frame, centred with a peach stone, hangs from a fine strand of pearls, finishing in its own small cluster of the same multicoloured teardrop beads used across the necklace. Because it repeats the exact panel style and bead colours from the necklace rather than using a separate design, the tikka reads as part of the same piece rather than a loosely matched add-on.

The earrings follow the same logic, but with more built into them. Each one opens with the same square kundan stud, peach-centred, matching the tikka and the necklace panels exactly. From there, it drops into a domed jhumka, finished in a fringe of small pearls and the same multicoloured teardrop beads seen throughout the rest of the set. Worn together, all three pieces are clearly speaking the same design language — square kundan panels up top, multicoloured bead fringe underneath, on every single piece.

Specifications

Design and construction details are taken directly from the product images and can be treated as confirmed. Measurements and base metal should be added once confirmed against your own product sourcing.

Why the Multicolour Approach Works Here

A lot of kundan jewellery leans entirely on white stones and gold, which is elegant but also fairly predictable once you've seen a few pieces in that style. Building five different coloured centre stones into the necklace panels, then carrying that same multicoloured logic into the bead fringe below, changes the entire character of the set. It stops reading as "bridal white-and-gold" and starts reading as festive, layered, and a little more playful — which is a deliberate design choice, not a random assortment of leftover bead colours. Each colour appears more than once across the set, which is what keeps five different hues from feeling scattered or accidental.

Why the Panel Sequence Matters

Repeating one identical kundan square five times across the front of a necklace would be the easier option, and plenty of sets do exactly that. This one varies the centre stone in each panel instead, which means your eye actually has to track across the row rather than absorbing it as one repeated block. That small shift — five related but individually distinct panels instead of five identical copies — is what gives the necklace's front section its rhythm.

Why the Bead Fringe Is the Real Signature

Strip the coloured teardrop fringe away from this set and you'd be left with a fairly standard kundan choker. The fringe is what actually defines the piece. It's dense, it's mixed rather than sorted by colour, and it repeats identically across the necklace, tikka, and earrings, which is what makes the whole three-piece set feel unmistakably connected the moment you see it worn together.

Who This Set Actually Suits

This is festive occasion jewellery, built for events where colour and movement are welcome rather than restrained — sangeet functions, mehendi, and colourful wedding-adjacent celebrations in particular. Because the palette runs through red, maroon, pink, green, and yellow all at once, it pairs easily with almost any richly coloured outfit rather than needing an exact colour match, since there's already a full spectrum represented somewhere in the set.

Styling It

Because this is a complete three-piece look with plenty going on in each piece, keep additional jewellery minimal — a plain gold bangle or two is enough alongside it. Given the multicoloured palette already built into the set, there's no need to colour-match your outfit precisely; a solid jewel-toned or gold-based outfit gives the beadwork room to stand out on its own. Hair pulled back or up lets the tikka sit properly at the part and keeps the full choker panel visible at the front.

Taking Care of It

The multi-strand pearl base and the coloured bead fringe both need a bit more care than a plain metal chain, since strands can tangle and the kundan settings can collect residue from perfume, lotion, and handling over time. Keep all three pieces away from direct contact with either, and store them flat, ideally with the strands laid out separately, so they don't knot together between wears. A soft, dry cloth run gently over the kundan panels keeps the mirror-cut stones looking clear rather than dulled.

Why This One's Worth Considering

Plenty of kundan sets keep to a single colour palette and rely on the kundan stonework alone to carry the design. This one does more — five distinct panel colours, a genuinely dense multicoloured fringe, and matching construction carried consistently across the necklace, tikka, and earrings. That kind of colour-coordinated consistency across three separate pieces is harder to execute than it looks, and it's exactly what gives this set its festive, cohesive character.

Shipping & Delivery

We dispatch orders within 1 working day across serviceable PIN codes in India.

• Metro cities: 2–3 business days after dispatch.
• Other cities: 5–7 business days after dispatch.
• Prepaid orders: Free shipping.
• COD orders: ₹125 additional COD fee.

You'll receive a tracking link once your order is shipped.

Returns & Refunds

Changed your mind? Eligible returns must be requested within 48 hours of delivery, and the product must be sent back within 5 days of approval.

• Items must be unused, undamaged and in original packaging.
• Refunds are issued as coupon codes valid for 1 year, subject to applicable deductions.
• Damaged or incorrect items must be reported within 48 hours with photos or an unboxing video.

For assistance, email us at sonamyadaviridescent@gmail.com.

Please refer to our Shipping Policy and Refund & Return Policy for complete details.